Lance Reddick as Cedric Daniels [went on to LOST and Fringe] |
Cas can testify that, in general, I disapprove and avoid 'police procedurals' of the CSI-ilk. Isn't it always the same story, slightly different? 1. Some crime happens. 2. Show intro-credits. 3. Early investigation points in one direction. 4. Couple of commercial breaks. 5. New evidence/police insight points at another suspect. 6. More commercials. 7. Some sort of twist! 8. Suspect caught/killed, smirky detective comments made, fade to black. This also applies to several 'medical procedurals', only replace 'suspect' with 'diagnosis'.
The Wire, while officially labeled on the back of the box as a 'police procedural', avoids the wrap-it-up-in-an-hour-every-week formula and instead has a slowly evolving investigation into a certain aspect of Baltimore city life each season. Being on HBO certainly freed it from some convention, and allowed language to be what it is. Who can forget McNulty and Bunk investigating a crime scene for 3 minutes using only the F-word? Classic Wire.
Idris Elba as Stringer Bell [went on to The Office] |
Funny, smart, serious, complicated = well written. Great acting. You'll recognize many of The Wire's actors/actresses turning up on prime-time TV after their Wire performances [a couple examples illustrated on this page]. The perfect way to keep wintertime TV from polluting your screen.
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